Sarah Palin and the Obsessive Left

palin-newsweekobsession – n. a state in which someone thinks about someone or something constantly or frequently especially in a way that is not normal

Liberals love to brag that they are the most intelligent and the most toleragnet people in any room that they walk into.

That is a bunch of self-conceit and downright baloney.

When a Conservative (the political ideology of majority of Americans) calls them on their overestimation of their intelligence, and humiliates them in public, if you will (as Legendary Professional Wrestler, the American Dream, Dusty Rhodes, used to say), they stalk them, like a hyena stalking a wounded gnu, waiting for the opportunity for revenge.

For example, even though they will stand up and tell you that the Arctic Fox is nothing but a has-been, reality show-starring ‘chillbilly”, they still view her as  a thorn in their Collective Side.

That being said, they are still looking for ways to “get even” with the Former Governor of Alaska…any way they can.

Breitbart.com reports that

Former Alaska Governor Sarah Palin rejected overtures from True Blood’s producers for a cameo role on the conservative-bashing vampire show. Her instincts proved to be correct after Sunday’s HBO episode in which Republican women were once again demeaned when one of the lead characters said in horror, “Oh my God, I’m a Republi-c*nt.”

Palin told Breitbart News after she heard about the misogynistic episode that she simply wondered, “‘True Blood’ or true gall?”

“The brilliant minds of ‘True Blood’ were brazen enough to ask me to do a cameo on their show, apparently so they could insult a conservative woman in person instead of just all conservative women in general,” Palin told Breitbart News. “Their offer wasn’t presented in any negative way, perhaps to benefit from a surprise factor after the guest appearance. I turned them down anyway.”

Palin also had some choice words for hypocritical Hollywood liberals who often gin up the phony “war on women” rhetoric.

“To producers who throw these deceitfully ‘flattering’ bones that sound fun on the surface, is it really any wonder I don’t accept your offers to participate in your shows?” she said. “Nice try HBO. I’d put any mama grizzly in America against a vampire any day; for only one of them actually exists. The left wants to talk about a ‘war on women’? Keep engaging in your misogynist attacks on women you disagree with and we’ll see who wins your self-inflicted war in the court of decent public opinion.”

On Sunday’s episode, as Breitbart TV explained, two of the characters crashed a Sen. Ted Cruz (R-TX) fundraiser at the George W. Bush Presidential Library that they said only lets in “a**sholes.” The fundraiser ended up turning into a bloodbath:

While HBO’s Award winning “True Blood” a popular vampire drama has had a long-running narrative with the bad guys cast as southern conservative politicians, last night’s episode took it a step farther, calling Ted Cruz supporters a**holes and offensively referring to conservative woman in eveningware as “republic**ts”

When two of the main characters, vampires Eric Northman and Pam De Beaufort, are planning to crash a fictional fundraiser for Sen. Ted Cruz (R-TX) held at the George W. Bush Presidential Center in Dallas they are warned

“They only let in a**holes.”

While dressing for the event in cowboy hats and Western evening attire Pam De Beaufort says “Oh my God I’m a republic**t”

And finally De Beaufort enters the gala proclaiming “Of all the horrible things I’ve seen in the last hundred years this could be the most disturbing.”

If Hollywood Liberals are trying to defeat Conservatives like Senator Ted Cruz and Sarah Palin, in a battle of wits…they are woefully unarmed.

Back in July of 2009, Alaskan Fisherman, Dewey Whetsell, wrote the following list of Sarah Palin’s accomplishments as Governor of Alaska:

1. Democrats forget when Palin was the Darling of the Democrats, because as soon as Palin took the Governor’s office away from a fellow Republican and tough SOB, Frank Murkowski, she tore into the Republican’s “Corrupt Bastards Club” (CBC) and sent them packing. Many of them are now residing in State housing and wearing orange jump suits The Democratsreacted by skipping around the yard, throwing confetti and singing, “la la la la” (well, you know how they are). Name another governor in this country that has ever done anything similar.

2. Now with the CBC gone, there were fewer Alaskan politicians to protect the huge, giant oil companies here. So she constructed and enacted a new system of splitting the oil profits called “ACES.” Exxon (the biggest corporation in the world) protested and Sarah told them, “don’t let the door hit you in the stern on your way out.” They stayed, and Alaska residents went from being merely wealthy to being filthy rich. Of course, the other huge international oil companies meekly fell in line. Again, give me the name of any other governor in the country that has done anything similar.

3. The other thing she did when she walked into the governor’s office is she got the list of State requests for federal funding for projects, known as “pork.” She went through the list, took 85% of them and placed them in the “when-hell-freezes-over” stack. She let locals know that if we need something built, we’ll pay for it ourselves. Maybe she figured she could use the money she got from selling the previous governor’s jet because it was extravagant.

Maybe she could use the money she saved by dismissing the governor’s cook (remarking that she could cook for her own family), giving back the State vehicle issued to her, maintaining that she already had a car, and dismissing her State provided security force (never mentioning – I imagine – that she’s packing heat herself). I’m still waiting to hear the names of those other governors.

4. Now, even with her much-ridiculed “gosh and golly” mannerism, she also managed to put together a totally new approach to getting a natural gas pipeline built which will be the biggest private construction project in the history of North America. No one else could do it although they tried. If that doesn’t impress you, then you’re trying too hard to be unimpressed while watching her do things like this while baking up a batch of brownies with her other hand.

5. For 30 years, Exxon held a lease to do exploratory drilling at a place called Point Thompson. They made excuses the entire time why they couldn’t start drilling. In truth they were holding it like an investment. No governor for 30 years could make them get started. Then, she told them she was revoking their lease and kicking them out. They protested and threatened court action. She shrugged and reminded them that she knew the way to the court house. Alaska won again.

6. President Obama wants the nation to be on 25% renewable resources for electricity by 2025. Sarah went to the legislature and submitted her plan for Alaska to be at 50% renewable by 2025. We are already at 25%. I can give you more specifics about things done, as opposed to style and persona Everybody wants to be cool, sound cool, look cool. But that’s just a cover-up. I’m still waiting to hear from liberals the names of other governors who can match what mine has done in two and a half years. I won’t be holding my breath.

By the way, she was content to return to AK after the national election and go to work, but the haters wouldn’t let her. Now these adolescent screechers are obviously not scuba divers. And no one ever told them what happens when you continually jab and pester a barracuda. Without warning, it will spin around and tear your face off. Shoulda known better.

Of course, her influence and status as “kingmaker” has become the stuff of legend.

Of the 41 candidates Palin endorsed in 2009,2010, and 2012, 30 of them earned victories.  

In 2012, she endorsed the following winners: Rand Paul, Marco Rubio, Tim Scott, Pat Toomey, Nikki Haley, Deb Fischer, Jeff Flake and Ted Cruz.

Not too shabby, huh?

Of course, Liberals will continue to ignore the accomplishments of Conservatives like Sarah Palin…it spoils the lies they tell about her, in order to feel better about themselves.

Liberals have to keep targeting America’s Conservative Leaders as we approach the 2014 and 2016 Elections.

After all, what are they going to do? Run on Obama’s Record of Accomplishments?

Puhleeze.

Until He Comes,

KJ

The War Against Christianity: The Academy Awards

acadeny awardsHollywood, affectionately known by average Americans nowadays, as “Hollyweird”, has grown increasingly out of touch with those of us living in America’s Heartland, or “Flyover Country”, due to their excessive pandering to those who worship at the altar of a Liberal Political Ideology, and a Godless, decadent Society in general.

 

Gerald Molen, an Oscar-winning producer of Schindler’s List, has accused the Academy of Motion Pictures Arts and Sciences of discriminating against a Christian movie by revoking its nomination in the best song category, in the upcoming Academy Awards. According to The Hollywood Reporter,

 

In a feisty letter to Academy of Motion Pictures Arts and Sciences president Cheryl Boone Isaacs, a copy of which was obtained by The Hollywood Reporter, Molen attacks the group’s Jan. 29 decision to rescind the nomination for Alone Yet Not Alone, an overtly faith-based film, over allegations that its songwriter Bruce Broughton, a former Academy governor, improperly lobbied members of the song branch. If Broughton and co-writer Dennis Spiegel are ineligible for an Oscar merely for asking people to give their tune a listen, he argues, more Oscar winners should be required to return their statues because they all promoted their work to some degree or another.

 

“Every film, director, writer, cinematographer, actor, art director, costume designer and efx house finds a way to pitch or promote their work. Many will see this decision as faith-based bigotry pure and simple,” Molen says in the letter to Boone Isaacs.

 

…In the movie, the song is sung not by a professionally trained singer, but by Joni Eareckson Tada, a 64-year-old woman who has been without the use of her arms and legs for 47 years and runs a charity that provides wheelchairs to needy children. She also authors Christian books and broadcasts Christian radio.

 

“Critics will pounce and accuse us of being out of touch and needlessly offending middle America by stripping this song — a song sung by a quadriplegic hero to evangelical Christians who has captured the imagination of the American people — of its nomination,” Molen writes. “In my humble opinion, it seems to me that this has turned a Cinderella story that America loves into a story of the wicked stepmother who wants to keep her daughter from the ball, with we the Academy cast as the villain.”

 

After its nomination, several songwriters affiliated with other films expressed dissatisfaction with the selection, and a PR firm representing a song not nominated hired a private investigator to research whether Alone Yet Not Alone should be disqualified for not meeting advertising requirements, but the Academy wasn’t convinced on those grounds.

The Los Angeles Times reports reports the Academy’s side of the story…naturally…

Cheryl Boone Issacs, president of the Academy of Motion Picture Arts and Sciences, clarified Saturday why the academy revoked the original song Oscar nomination of composer Bruce Broughton earlier this week.

“It’s not about a punishment,” Isaacs told The Times, “but protecting the integrity of our voting process.” Broughton became the first person to have his Oscar nomination revoked on ethical grounds after he emailed about 70 members of the academy’s 240-member music branch, calling attention to “Alone Yet Not Alone,” a song that was co-written by lyricist Dennis Spiegel and sung in the movie of the same name by Agoura Hills pastor Joni Eareckson Tada.

“I’m dropping you a line to boldly direct your attention to entry #57,” Broughton wrote in his email, alluding to the track’s number on a DVD of contending music. “I’m sending this note only because it is extremely unlikely that this small, independent, faith-based film will be seen by any music branch member; it’s the only way I can think of to have anyone be aware of the song.”

Isaacs told The Times that the “key point” in the academy’s nullification of Broughton’s nomination was its violation of Rule 5.3, requiring that the credits of composer and lyricist be removed from the DVD of eligible songs sent to members of the music branch.

“The idea,” Isaacs says, “is that people are voting solely for the song and not who wrote it.” By emailing branch members, Broughton, a former academy governor and current member of the music branch’s executive committee, violated that anonymity.

“He exerted undue influence,” Isaacs says, “using information that only an academy insider would have.”

Isaacs said the decision to revoke Broughton’s nomination came Tuesday at a scheduled board meeting. She would not reveal whether any lesser forms of punishment for Broughton were discussed, citing the confidentiality of academy board meetings. She did note that she had heard from a number of academy members after “Alone Yet Not Alone” was nominated for the original song Oscar on Jan. 16.

Over the last few several decades, Hollywood has vied for the title of “Sin City” with “Lost Wages (Las Vegas” through its glorification of the decadent and demonic. The family-friendly, morally-based classic horror films such as “Dracula”, “Frankenstein”, and “The Wolf Man”, have long since been replaced by Jason, Freddy”, Twilight”, and “Insidious”.  War Epics which paid tribute to our Fighting men and Women, such as “The Green Berets” and “We Were Soldiers” have been replaced by Anti-American Propaganda Pieces such as “Redacted”. And, Love stories like “The Notebook” ae being pushed aside for celebrations of carnality, like “Nymphomaniac”.

What is interesting to note, though, is the backlash to the attempted shaping of our American Culture and Society by Hollyweird. Please note the overwhelming popularity of Super Hero Movies, in which Good triumphs over Evil. You see, Americans, even though, like all mankind, are sinful in nature, that still, small voice in us still glows with that knowledge of Right and Wrong.

Hollyweird, in their licentious little hearts, has noticed this trend. Later this year, they will premiere a Biblical Epic about Noah and the Flood, starring Russell Crowe of “Master and Commander” and “Gladiator” in the title role. If it scores big at the Box Office”, you can be sure that there will be more to come, not for the purpose of glorifying God, but, to fill their pocketbooks.

However inadvertently, if the script for “Noah” is Biblically-based such as Cecil B. Demille’s classic “The Ten Commandments”, it should not only do well at the Box Office, but may even turn out to be evangelistic.

Could it be that The Creator is using this backlash against the Romanesque decay and decadence of the Left’s Hollywood Idoltary and corrupt culture to bring glory to Himself?

Mmmm…could be.

 And we know that all things work together for good to those who love God, to those who are the called according to His purpose. – Romans 8:28

Even, if we don’t realize it…at the time.

Until He Comes,

KJ

 

Grammy Awards Promote Gay Marriage

gay marriageLast night, during the live Grammy Awards Program on CBS, the once-enjoyable musical awards program’s Liberal Producers decided that they would turn a musical segment into a political one.

The Hollywood Reporter has the story:

Macklemore & Ryan Lewis’ “Same Love” anthem became the theme song for 33 newlyweds during the 56th Grammy Awards on Sunday night.

The gay and straight weddings were officiated by Queen Latifah while the hit song about equality was performed by the rap duo with Madonna hitting the stage with them, along with Mary Lambert and jazz artist Trombone Shorty.

PHOTOS: Grammys 2014: Red Carpet Arrivals

“This song is not a love song for some of us but for all of us,” said Latifah as she introduced the special segment.

The mass of couples exchanged rings at the same time as the singer pronounced them wed while Madonna emerged to sing her classic “Open Your Heart.”

The Material Girl changed into a white Ralph Lauren suit for the ground-breaking performance after wearing a dramatic black tux on the carpet.

At the end of the historical television moment, Ringo Starr was overheard saying to Paul McCartney, “Let’s all renew our vows.” McCartney then shook the hands of every couple that walked by.

GLAAD President Sarah Kate Ellis celebrated the event, telling The Hollywood Reporter in an exclusive statement.

“When such a critically acclaimed and popular rap artist puts marriage equality center stage at one of the biggest events of the year, it is the latest in a long line of signs that our nation not only accepts, but celebrates the love and commitment of gay couples today,” said Ellis (who is married to Kristen Henderson of the band Antigone Rising).

“Macklemore and Ryan Lewis aren’t only talented musicians, but are setting the bar high for our allies around the country today.”

GLAAD also tweeted its support of the equal rights awareness performance earlier in the evening, saying: “Congrats to #LGBT allies @macklemore and@RyanLewis! #GRAMMYs.”

When asked by Ryan Seacrest about the groundbreaking event before the show, Madonna stumbled over her words, saying: “I was told not to say anything”.

Of course, she was. 

On Saturday, I posted a Blog titled, “If I Were a Socialist U.S. President”. One of the statements I made was

Through redefining the definition of the family unit, and eliminating Christianity from everyday American Life, I will eliminate the “backbone” of the nation…the two main barriers that will keep me from radically changing America into a socialist nation.

I also wrote,

I would preach about hope and change, but like all Marxists, I would be hoping to bring subjugation and looking to “radically change” a nation, all in the name of “Fairness and Equality”.

Obama and his one-minded collective are desperately trying to desensitize Americans regarding the Hot Button Issue of “gay marriage”. Even though, those who practice the sexually deviant behavior of homosexuality only compose around 3% of our population, those advocating defiling of the sacrament of marriage would like us to all believe that they number many,many more. And, those who rig polls for a living would like us to believe that the majority of Americans believe it is okay for homosexuals to imitate the union of a heterosexual couple.

If that were the case, 31 states would not still ban “gay Marriage”. And, “Activist Judges” would not have had to overturn the will of the people in Utah and California.

In their desperation, Liberals have even tried to rewrite God’s Word regarding Homosexuality, labeling anyone who does not agree with them, into a “Hater”.

Remember the hoopla before Christmas concerning Duck Commander Phil Robertson’s paraphrasing of the 1st Corinthians passage concerning Homosexuality?

After combative CNN commentator Ben Ferguson called out Piers Morgan attacked the topic on one of his shows. His guests were Conservative Talk show Host Ben Ferguson, Liberal Bloviator Dr. Mark Lamont HJill, and Biblical Scholar Dr. Michael Brown.

To say that things did not go well for England’s Worst Export, is an understatement.

Here’s a slightly redacted transcript:

Morgan: Let me ask you this, sir. As a Christian man, can you point to a single public utterance by Jesus Christ—the Christ in Christianity—about gay people or about a gay lifestyle? Can you name one single thing, derogatory or otherwise?

Ferguson: Go to Sodom and Gomorra for goodness sakes!

Brown: I’ll name three for your Piers. Number one, in Matthew 5, Jesus said he didn’t come to abolish the Torah but to fulfill. He takes the sexual morals of the Torah to a higher level. Number two, in Matthew 15, he says all sexual acts committed outside of marriage defile a human being. And in Matthew 19 he says marriage as God intended it is the union of one man and one woman for life.

Look, Jesus did not address wife-beating or heroin-shooting, but we don’t use that argument for silence. But in point of fact, he as a first century Jew, of course he reinforced these things. And Piers, I’d encourage you to restudy what scripture says. We should love our neighbors as our self, but that doesn’t mean we approve everything of our neighbor.

At this point, Hill interjected, arguing that there are “several problems with that interpretation.”

Hill: One, the New Testament absolutely does offer the words and the voice of Jesus, and he very explicitly does not talk about being gay. And even the scripture you cited about marriage is very different than talking about being gay…

Brown reminded Hill of Christ’s assertion that “marriage is one man and one woman,” but Hill moved on to attempt to address Brown’s statement about Christ’s reinforcement of Old Testament law.

Hill: If you’re saying he’s confirming the Old Testament, well, the Old Testament is far from clear around gay marriage or around gay acts.

Brown: Are you sure about that?

Hill: …The book of Leviticus, according to most biblical scholars, is not about being gay. If you’re talking about the story of Sodom and Gomorrah for example. It’s really about being inhospitable to neighbors, it’s about prostitution, it’s about many other things…

Brown: Hebrew scholarship is my background, I have a PhD in Semitic languages… Leviticus 18 is quite explicit: For a man to lie with a man is contrary to what God intended. The rectum is part of the disposal system. It’s not meant for sexuality. God designed a man to be with a woman. That’s pretty obvious, not hateful to say it. That’s obvious. And, really, the Hebrew scriptures are clear on this, sir.

Liberals, in their belief that they are “the smartest people in the room”, often find themselves slapped down by their own conceit.

I believe that just as Hollywood paid the price at the Box Office for trying to push movies degrading America’s Fighting Men and Women, so will the Music Industry receive a backlash from their antics last night.

And, it will be a result of them believing their own propaganda.

Until He Comes,

KJ

The Summer of Hollywood’s Hiroshima

lone ranger and tontoTo say that Hollywood is having a bad summer would be an understatement. The Liberal Intelligentsia, in all of their pompous glory, incorrectly assumed that Americans would pay our hard-earned money to go see anything they put out on a movie screen, schlock or not.

Once again, the “smartest people in the room” turned out to be the dumbest.

The costliest failure so far has been The Lone Ranger, starring Johnny Depp, which cost $250 million (£165 million) to make, and had a huge marketing budget. It was savaged by critics as a “bloated, unfunny, sometimes downright bizarre train wreck” amid a “summer of garbage blockbusters.”

Johnny Depp and Armie Hammer in The Lone Ranger (Rex Features)

Disney may have to write off up to $150 million losses on the movie, which was largely ignored by cinemagoers despite being released over the July 4 holiday weekend. It took in just $29 million that weekend in North America, losing out heavily to the animated comedy Despicable Me 2.

Jamie Foxx and Channing Tatum in White House Down (Rex Features)

White House Down, starring Jamie Foxx and Channing Tatum, took just $25 million on the June 28 weekend, while Pacific Rim, a story of alien monsters, while praised by many critics, still brought in only $38 million over the July 11 weekend. More people went to see the Adam Sandler comedy Grown Ups 2.

R.I.P.D, a $130 million science fiction film about police officers fighting villains in the afterlife, is predicted to take in only around $20 million this weekend.

To be considered successful, blockbusters aim to take in about half their budget over the first weekend.

The movie is being released at the same time as Red 2, a tale of retired hitmen starring Bruce Willis and Dame Helen Mirren, which is expected to split the audience.

The series of big budget disappointments has come just a month after Steven Spielberg warned that Hollywood was facing a “meltdown” because of its over-reliance on blockbusters.

Speaking at the University of Southern California in June, Spielberg predicted “an implosion where three or four, or maybe even a half dozen, mega-budget movies are going to go crashing into the ground.”

Analysts said the failures were partly a result of competing studios trying to release too many big movies at the same time. There are more than 20 films with a budget of more than $100 million being released this summer, six more than last year.

The studios have ploughed resources in to so-called “tent pole” films, which are accompanied by costly marketing, and are expected to make large profits. But, to do so, they all need to arrive in cinemas over the summer months.

Until late June, Hollywood had been on course for a record summer, following the success of early hits including Iron Man 3, Star Trek Into Darkness. and Fast & Furious 6.

However, as fatigue set in with audiences the movie industry entered what has been labelled the “dud zone,” in which big releases have fared less impressively than lower budget productions. A slew of expensive films remain to be released in late July and August.

One exasperated studio head told The Hollywood Reporter: “You had too many $100 million-plus movies, not to mention $200 million-plus movies, jammed on top of each other. There isn’t enough play time, and the result has been more movies that wipe out.”

I believe that there are other reasons for the horrible summer movie receipts.

First, Americans are living paycheck-to-paycheck. Why should we blow $50 dollars at the movies, when we can stay at home, and watch our cable or satellite television programs, or watch a movie on DVD or Blu Ray? There are other downsides, to going out to watch a movie besides the outrageous cost: The idiots you have to sit next to.

When my bride and I went to see Iron man 3, earlier this summer, I was seated next to a woman who played and talked on her cellphone, sighed loudly, and talked to her friends during the movie, all in an effort to make us move somewhere else in the crowded theater. My crime? Do the words “creepy a@@ cracka” ring a bell?

The other problem that these summer movies have, is simple: They aren’t worth seeing.

Hollywood has been losing their collective mind for a while now. While our soldiers were fighting and dying in Iraq, they were releasing films that criticized our brave military and our country. Those movies bombed spectacularly as a result.

Earlier this summer, There was a movie about Liberace and his young protegé/confidant/lover Scotty Thorson, featuring Michael Douglas and Matt Damon, in those roles. The studio released it to Europe first, where the heathens over there, gave it rave reviews.  It was never released to American theaters, because American capitalists refused to distribute it. They knew that Americans would not pay their hard-earned money to watch a movie denigrating an American Icon, like the legendary, beloved showman, Lee Liberace.

One of the movies expected to be a blockbuster this summer, “The Lone Ranger, cast Johnny Depp as Tonto, and rewrote the legend to center around him, instead of the title character.

The audience simply did not buy Captain Jack Sparrow as Tonto.

When we envision the crime fighting duo of the old west, Americans see Clayton Moore and Jay Silverheels. Two outstanding gentlemen, both on and off the television screen.

The last point I want to make, is the total disconnect of “Hollyweird” from the average American’s belief system of ethics, values, and faith. All the great movies and television shows my generation watched growing up, reinforced those values.

We knew that the Ranger and Tonto would beat the snot out of the bad guys, and rescue the rancher’s daughter. We knew that James Bond would defeat SPECTRE and get the beautiful Bond Girl.

We smiled when we heard that Superman fought for “truth, justice, and the American Way”. We threw our rubber tomahawks at the trees in our front yards, just like “Daniel Boone”. We knew that John Wayne would rescue Dean Martin in “Rio Bravo”.

And, all the guys wanted a red Gran Torino with a white stripe down the side, like “Starsky and Hutch” drove.

You want to know why the Sherlock Holmes movies, the Iron Man movies, and the Star Trek movies have all done so well? It’s simple.

They are throwbacks. They are entertaining. They are not dirty or vulgar. There is plenty of action with a great story line wrapped around it, and GOOD TRIUMPHS OVER EVIL.

Americans have to deal with enough ugliness trying to survive under the harsh reality of America under Obama. 

We go to movies to be entertained, not to be lectured to by a bunch of snotty-nosed, America-hating, relative morality and situational ethics-loving Liberals. 

Average Americans are more perceptive than Liberals think we are.

This summer’s movie failures have proved it.

Until He Comes,

KJ

Conservative Movie Box Office Bonanza…Liberals Mystified

A Conservative scholar’s documentary about President Barack Hussein Obama (mm mmm mmmm) has turned out to be the most watched documentary of the year, bringing in over $20,000,000, so far.

NYDailyNews.com has the story:

While pundits and critics are divided over whether “2016: Obama’s America” is a sobering documentary examining “the most mysterious U.S. president in modern history” or an 87-minute attack ad, there’s no debating that the film is a box office phenomenon.

Taking a page from his own book “The Roots of Obama’s Rage,” conservative scholar Diniseh D’Souza’s film has shocked industry prognosticators by earning an estimated $20 million to date, more than five times what the second-highest documentary this year, “Bully,” earned. With virtually no promotional budget, the film has expanded in a little over a month from one theater in Houston to 1747 screens this weekend.

“People see the success and they think we have the marketing budget of ‘Dark Knight Rises,’ we probably don’t even have the catering budget of the ‘Dark Knight,'” co-director John Sullivan, who helped craft the promotional plan, told the News.

So they had to rely on the choir preaching to an even bigger choir. Sullivan says ahead of the film’s mid-July opening at the Edward Houston Marq’E Stadium 23 & IMAX, local right-wing radio host Michael Berry championed the film with an all-out publicity blitz on his show.

Roughly 200 movie-goers were turned away from the sold out shows that weekend, a theater manager told the Hollywood Reporter.

From there, the film opened in three additional Houston-area theaters, then a handful of other cities in the reddest of states. It helped that by the time it jumped onto 1,071 screens last weekend, it didn’t have to go toe-to-toe with Batman or Iron Man.

“This is a case of good timing,” says Paul Dergarabedian, box office analyst for Hollywood.com. “If it would have come out even two weeks earlier, it would have been swamped by the big blockbusters.”

Through the week of the Republican National Convention, D’Souza and producer Gerald Molen, who won an Academy Award for “Schindler’s List,” have been doing dozens of interviews. Along the way they picked up some key endorsements from the likes of Glen Beck and Rupert Murdoch.

Despite the clearly partisan image surrounding the film, Mark Joseph, whose firm MJM Entertainment is handling marketing of the film, insists the ticket-buyers aren’t all coming from one side of the great political divide.

“The producers did some testing early on that yielded some surprising and counterintuitive results: it played very well among non-whites and independents,” said Joseph by email. “There was speculation that that could be because Dinesh is himself a native of India and the high marks from independents were because he rejects birtherism and gives no quarter to the suggestion that the President isn’t a Christian.”

“The Passion of The Christ audience was roughly half very devout and half not so devout,” says Joseph. “The latter wanted to see what the fuss was about.”

But it’s clear this film taps into Republican dissatisfaction with President Obama – not unlike the rage Democrats felt in 2004 that Michael Moore tapped with “Fahrenheit 9/11.”

It’s also clear that Hollyweird is having a bad year, per hollywoodreporter.com:

The number of people going to the movies dipped noticeably in North America this summer, putting increased pressure on the final four months of 2012 to bolster the bottom line.

According to preliminary estimates, 533.5 million tickets were sold this summer, down 4 percent from last year and the worst turnout since 1993. The lowest attendance before now came in summer 2010, when there were 534.4 tickets sold.

Total summer revenues also slipped. Initial estimates show the domestic box office generating $4.278 in billion in sales, down roughly 3 percent from last summer’s record $4.4 billion.

Final revenue and attendance figures will be released this week.

“You can’t just count on blockbuster superheroes and action movies alone,” said Hollywood.com’s Dergarabedian. Studios also need comedies and adult dramas to post record summer results, he said.

Hollywood often says box office swings are based simply on the appeal of films. This summer, moviegoers may have become more discerning when deciding where to spend their entertainment dollars, executives said.

“I don’t think you can fool audiences,” Universal’s Rocco said. “They are savvy, and expectations are high.”

Americans have grown exceptionally weary concerning all the anti-American, anti-God, pro-Liberal sentiments that are so prevalent in today’s box office offerings.

Additionally, thank’s to this president’s failed economic policies, average Americans can afford to go out to see mediocre movies.

Americans are looking for uplifting entertainment, and Hollywood has been giving us Horror movies, instead.

The reason that Superhero movies have been doing so well is simple: Americans always prefer to see good triumph over evil. Just as they prefer to our nation portrayed in a good light. That’s why those anti-American movies , such as “redacted” , of a couple of years ago did so poorly.

The money men behind Hollywood had better pay attention to the tremendous response that Clint Eastwood has received for his improvisation at the Republican National Convention.

They need to make movies for the majority of Americans, not the Liberal minority.

The Aurora Massacre: Is Hollywood the Problem?

Famous Hollywood Director Peter Bogdanovich (Targets, The Last Picture Show) weighed in a few months back about a disturbing trend he had noticed in the current crop of movies.

The Hollywood Reporter has the story:

People go to a movie to have a good time, and they get killed. It’s a horrible, horrible event. It makes me sick that I made a movie about it.

We made Targets 44 years ago. It was based on something that happened in Texas, when that guy Charles Whitman shot a bunch of people after killing his mother and his wife. Paramount bought it, but then was terrified by it when Martin Luther King was killed and Bobby Kennedy was killed. The studio didn’t want to release the film at all. So they released it with a pro-gun-control campaign, but that made the picture seem like a documentary to people, and it didn’t do too well.

It was meant to be a cautionary fable. It was a way of saying the Boris Karloff kind of violence, the Victorian violence of the past, wasn’t as scary as the kind of random violence that we associate with a sniper — or what happened last weekend. That’s modern horror. At first, some of the people [at The Dark Knight Rises] thought it was part of the movie. That’s very telling.

Violence on the screen has increased tenfold. It’s almost pornographic. In fact, it is pornographic. Video games are violent, too. It’s all out of control. I can see where it would drive somebody crazy.

I’m in the minority, but I don’t like comic book movies. They’re not my cup of tea. What happened to pictures like How Green Was My Valley or even From Here to Eternity? They’re not making those kind of movies anymore. They are either making tentpole pictures based on comic books or specialty pictures that you pray someone will go see.

The fact that these tentpole movies are all violent comic book movies doesn’t speak well for our society.

Obviously, there is violence in the world, and you have to deal with it. But there are other ways to do it without showing people getting blown up. One of the most horrible movies ever made was Fritz Lang’s M, about a child murderer. But he didn’t show the murder of the child. The child is playing with a rubber ball and a balloon. When the killer takes her behind the bushes, we see the ball roll out from the bushes. And then he cuts to the balloon flying up into the sky. Everybody who sees it feels a different kind of chill up their back, a horrible feeling. So this argument that you have to have violence shown in gory details is not true. It’s much more artistic to show it in a different way.

Today, there’s a general numbing of the audience. There’s too much murder and killing. You make people insensitive by showing it all the time. The body count in pictures is huge. It numbs the audience into thinking it’s not so terrible. Back in the ’70s, I asked Orson Welles what he thought was happening to pictures, and he said, “We’re brutalizing the audience. We’re going to end up like the Roman circus, live at the Coliseum.” The respect for human life seems to be eroding.

I disagree with the distinguished director concerning a few points.

Movies based on comic book heroes aren’t a cause of violence per se. When Christopher Reeve starred as Superman, there was not an outbreak of violence reported, nor has there been one after the current Marvel Superheroes Movies, including The Avengers.

The difference between those movies and The Batman Trilogy? They weren’t dark in tone. They were uplifting. Sure, there was plenty of violence in them, but, it happened to “the bad guys”, as a comeuppance.

The Batman movies, take an already dark and brooding character, and somehow, make everything that’s going on in the world around him, even darker than he is, as if there was no sunlight or hope in the everyday world.

I believe that the majority of Americans, Conservatives, have always had respect for human life.

However, we live in a time in our country where Traditional American ethics and values, including our Christian Faith, have been ridiculed and mocked by the Left and their Power Brokers as being antiquated, restrictive, ignorant, and even, bigoted.

And the majority of the movies which Hollywood has expectorated out in the last few years have reflected this skewed and intolerant view of Traditional American ethics and values.

For example, movies like Redacted, about the Iraq War, which Americans shunned like a Yoko Ono Concert.

When a movie is entertaining, and doesn’t try to run down our country, or teach anti-Christian or anti-American views and values, people turn out in droves, like they did in the case of “The Avengers”.

Americans are looking for another John Ford or Frank Capra, but instead, Hollywood’s giving us Tim Burton and Rob Zombie.

Like Obama, Hollyweird is Out-of-Touch

On the heels of President Barack Hussein Obama’s un-constitutional Presidential Decree of last Friday, Hollyweird is proving themselves to be just as out-of-touch with average Americans as their messiah.

Deadline.com reports on a couple of “surefire hits” that are examples of a movie industry who is wrapped up in its own little world:

After the tsunami that was Marvel’s The Avengers, five major studio movies disappointed. Then DreamWorks Animation’s Madagascar 3 and Fox’s Prometheus performed better than expected and are still easily holding #1 and #2 their second weekends with $33.5M and $20.5M respectively. (Even though the Ridley Scott scifi thriller dropped a whopping -73% from last Friday to today because of all those gaping plot holes.)

Contrast that with Friday’s newcomers which each should have earned over $20M this weekend because of their star power. But New Line/Warner Bros’ Rock Of Ages (3,470 theaters) fell to earth with a thud. Which Hollywood expected because the pic had been tracking poorly for weeks (and even went down at one point week to week). The studio felt the 1980s period piece was a hard sell to younger moviegoers. I suspect the problem was casting. Russell Brand has been repellant to moviegoers, while Tom Cruise as iconic rocker proved just too incredulous for audiences. The PG-13 musical is looking to open to only $15.5M this weekend after taking in just $5.3M Friday. Given that the pic was based on the Broadway warbler, it did far worse than Mamma Mia which with the same pedigree opened to $27M. Warner Bros was holding out hope for this $75M-budget pic, thinking that a good CinemaScore could generate great word of mouth and therefore great legs for the film. It didn’t materialize: audiences only gave Rock Of Ages a mediocre ‘B’. There’s just no way to save this s(t)inker with hack director Adam Shankman at the helm: weekend gross may fall below $15M.

Columbia/Sony’s That’s My Boy (3,030 theaters) starring Adam Sandler also was bottoming. It will hurt further that audiences only gave it a ‘B-’ CinemaScore. (“But ‘B’s with everybody under 50,” a Sony exec emails me.) Hollywood didn’t expect Sandler to attract his usual family friendly audience with an ‘R’ rating. But an actor who reliably takes in $30M to $40M every opening weekend and then dropping to $14M after grossing only $4.5M today can’t go unchastized. Especially if he hurt his brand with his most recent pic, that execrable flop Jack & Jill. (How much you wanna bet Andy Samberg is rethinking that SNL exit now?) Weekend gross may fall below $12.5M.

Let’s dissect these brilliant pieces of cinematic skill, shall we?

First, according to fandango.com, Rock of Ages goes this way:

A small-town girl and a big-city boy find their fates intersecting on the Sunset Strip, riding a wave of romance through the height of the “hair metal” scene as the off-Broadway musical rocks its way to the big screen courtesy of choreographer-turned-director Adam Shankman (A Walk to Remember, Hairspray). Arriving in Hollywood with stars in her eyes, Sherrie (Julianne Hough) meets Drew (Diego Boneta), and together they plunge headlong into the local rock scene. Meanwhile, as Sherrie struggles to stay afloat in a churning sea of rock ‘n’ roll excess, she gets swept off her feet by audacious rock star Stacee Jaxx (Tom Cruise). Russell Brand, Paul Giamatti, and Bryan Cranston co-star in a movie featuring music by Journey, Def Leppard, Poison, Whitesnake, Bon Jovi, Foreigner, Joan Jett, and REO Speedwagon. ~ Jason Buchanan, Rovi

And, “That’s My Boy” wastes 2 hours in the following manner, per fandango.com:

While still a teen himself, Donny (Adam Sandler) fathered a son,Todd (Andy Samberg), and raised him as a single parent. On Todd’s 18th birthday, Donny cut the youth loose. After years of estrangement,the older man shows up unexpectedly on the eve of his son’s wedding day, sending the young man’s life into a tailspin. Donny wants desperately to reconnect with Todd, but he must now deal with the repercussions of the bad parenting he exhibited in the past. Cast: Adam Sandler, Andy Samberg, Leighton Meester, Vanilla Ice, James Caan

Evidently, this movie is leaving everyone as cold as Ice, Ice, Baby.

The producers expected average Americans to find a story about a guy who slept with his teacher and got her pregnant, funny?

Epic failure.

As I sit here, on Father’s Day morning, thanking God for all the children I’ve helped to raise, my grandson, and my wonderful bride, I wonder how many other Americans Fathers here in the Heartland are doing the exact same thing?  

Answer: a lot.

Because, whatever the East and the West Coast, and all of the Main Stream Media tries to tell you, average Americans, there are a whole lot more of us than there are of them.

Believe it.

Just how out-of-touch are Hollywood Liberals?

Well, they expect us to buy the idea of Scientologist Tom Cruise as a rock star, Alec Baldwin as a long -haired hipster, and Barack Obama as a great president.

No wonder Arnold, Bruce, and Sly named their restaurant Planet Hollywood…because Hollyweird Liberals sure don’t live on this one.