Taylor Swift Becomes Just Another “Dixie Chick”

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PROLOGUE (2003)

The Dixie Chicks are drawing harsh words from country music fans for remarks singer Natalie Maines made about President George W. Bush during a recent performance in London. Maines told the audience earlier this week, “Just so you know, we’re ashamed the president of the United States is from Texas.” 
 
Angry phone calls flooded Nashville radio station WKDF-FM on Thursday, some calling for a boycott of the Texas trio’s music.

The group released a statement Thursday saying they have been overseas for several weeks and “the anti-American sentiment that has unfolded here is astounding. While we support our troops, there is nothing more frightening than the notion of going to war with Iraq and the prospect of all the innocent lives that will be lost.”

In a separate statement Thursday, Maines said, “I feel the president is ignoring the opinion of many in the U.S. and alienating the rest of the world. My comments were made in frustration, and one of the privileges of being an American is you are free to voice your own point of view.”

The Dixie Chicks will kick off a U.S. tour in support of their multi-platinum album Home on May 1 in Greenville, South Carolina. The group’s hits include “Wide Open Spaces,” “Ready to Run” and “Landslide.”- FoxNews.com

And, after that, their popularity sank like the Titanic.

That was then. This is now.

FoxNews.com reports that

Taylor Swift — the pop star who notably has strayed from politics — broke that silence on Sunday, writing on Instagram that she’ll be voting for Tennessee Democrats in the midterm elections. 

Swift, 28, slammed Republican Senate candidate Marsha Blackburn in an Instagram post.

“As much as I have in the past and would like to continue voting for women in office, I cannot support Marsha Blackburn,” Swift told her 112 million Instagram followers. “Her voting record in Congress appalls and terrifies me.”

Swift said the congresswoman “voted against equal pay for women. She voted against the Reauthorization of the Violence Against Women Act, which attempts to protect women from domestic violence, stalking, and date rape. She believes businesses have a right to refuse service to gay couples. She also believes they should not have the right to marry.”

“These are not MY Tennessee values,” the “Fearless” singer said online.

Swift concluded she’ll be voting for Democrat Phil Bredesen for the Senate, and also for Rep. Jim Cooper, a Democrat who’s running for re-election.

Bredesen quickly thanked Swift for her support on Twitter, writing he’s “honored” by support from her and “that of so many Tennesseans who are ready to put aside the partisan shouting and get things done.”

Blackburn’s campaign did not immediately respond to Fox News’ request for comment. A recent Fox News Poll found Blackburn was ahead of Bredesen 48 percent-43 percent, which was inside the poll’s margin of error.

Many fans of Swift, who reportedly owns two properties in Nashville, in addition to several other homes throughout the U.S., have urged the international star to voice her political views — particularly to denounce President Trump.

She’s long stayed quiet on her beliefs, but, in March, Swift wrote in an Instagram post that she donated to the March for Our Lives campaign in support of gun reform.

In July, it was rumored on Capitol Hill that Swift was scheduled to make an appearance at the Russell Senate Office Building, but she didn’t show.

In her post Sunday, Swift acknowledged that many people “may never find a candidate or party with whom we agree 100% on every issue, but we have to vote anyway.”

“So many intelligent, thoughtful, self-possessed people have turned 18 in the past two years and now have the right and privilege to make their vote count,” she wrote, urging her followers to “educate” themselves on the upcoming elections.

Guess what, Taylor? Nobody cares.

At least no one who used to listen to you when you were a teenage country music sensation.

Of course, you left all of us ignorant hicks behind with your 2014 album tiled “1984”, when you made the switch over to pop music, officially leaving those who believe in “God and Country” for “The Smartest People in the Room”.

As a former Tennessean now living across the border in the Northwest corner of the Magnolia State. please allow me to clue you in on something: Bredesen’s attempt at still portraying himself as a “Moderate” is fooling no one.

THERE ARE NO MODERATES LEFT IN THE DEMOCRATIC PARTY.

Oh, and about “your Tennessee”…Tennessee does not embrace the values of the East and Left Coasts. In fact, the overwhelming majority of those living in “Flyover Country” do not. Otherwise, Hillary Clinton would be the current President of the United States of America.

I remember the summer after I graduated college in December 1980. I bought a brand new 1981 Mazda GLC, had a Pioneer Tape Deck installed to play in all four hidden door speakers (a big thing back then), bought a cassette tape of “The Beatles Love Songs”, and played it until the tape broke.

Music has always affected my life and played a major part. I sang in church choirs, leading services, singing in quartets, and solo, for over 30 years and have played acoustic rhythm guitar since the age of 19…a long time ago.

Music can indeed soothe us. It can inspire us…in both good ways and in bad.

It has the power to bring us to our knees in worship of the Living God…or make our hands “clench in fisteous rage” (American Pie, Don Mclean)

It can advise us to “treat her like a lady” or find us hanging out, “down on Main Street”.

At this time in our country’s history, when morality has become relative, ethics situational and a nation fractured through racial division and poor losers still upset over the 2016 Presidential Election’s Outcome, we find our souls crying out for soothing Music. Positive music which will lift up our spirits and bring a smile to our faces as we drive to work, giving us an earworm for the rest of the day,

Instead, we find Pop Music and “so-called” Country Music, actually manufactured in New York City (pronounced like they do in the Pace Salsa Commercials), advocating meaningless one-night stands and encouraging the debasement of the human soul, instead of its ability to rise above any obstacle in its path that might hinder individual achievement.

And, with Taylor Swift’s proudly proclaiming her embracing of political philosophy of the  Far Left Democratic Party, like the rest of the “Cool Kids”, we bear witness to another “Dixie Chicks” moment, in which Taylor Swift has evolved from a fresh-faced country music ingénue into a young lady with a cause, a political sister of the young blonde seen this past weekend at the Kavanaugh Protests dancing around, getting in the face of, and generally harassing a 71-year old man holding up homemade signs in support of Brett Kavanaugh.

Taylor, if that disrespectful heathen is your idea of a fellow “Tennessean”, you either need to come home more often or leave Tennessee completely.

…Because you do not have a clue.

Until He Comes,

KJ

 

 

CMT Awards 2016 and The Death of Country Music

th (73)Filed under the category of “Liberals Have to Ruin Everything”…

Foxnews.com reports that

Viewers who tuned into last night’s CMT Music Awards were left wondering whether or not they were watching a country music award show.

The fan-voted show kicked off with a number of collaborative performances featuring country stars and others outside the genre, from rockers Cheap Trick to rapper Pitbull.

Keith Urban, Brett Eldredge and Maren Morris started the show off at Bridgestone Arena in Nashville. That was followed with an outdoor performance by Billy Ray Cyrus with recent Rock and Roll Hall of Famers Cheap Trick. Then the show went back indoors for a performance by Pitbull, pop singer Leona Lewis and Cassadee Pope — all while Jason Aldean, Nicole Kidman and more watched in the audience.

The performances did not leave fans happy with the show.

“Can someone please explain to me why #Pitbull just performed at the #CMTawards? Wasting time when real county artists could be performing,” one viewer asked.

“Why cut Cam short short to have 5th Harmony ruin a show,” another asked when the “Burning House” singer sang with the pop group.

…Comedian and singer Wheeler Walker Jr. chimed in saying, “Take out the music & the hosts and this show isn’t half bad.”

It wasn’t until Blake Shelton was joined by the Oak Ridge Boys to sing their song “Elvira” did viewers perk up. The “Doing It To Country Songs” singer also took home the first CMT social superstar of year award and joked about drunken tweeting.

“The audience has been dead most of the night till this Blake Shelton/Oakridge boys mashup. That was so fun!” a fan wrote.

…Chris Stapleton, who took breakthrough video of the year for “Fire Away,” performed his song “Parachute” alongside his wife, Morgan, much to the viewers’ delight.

“Chris Stapleton! First real country artist performance tonight,” a user tweeted while someone else added, “@ChrisStapleton is by far the best example of bridging old & new country music.”

Another highlight from the night was Tim McGraw’s win for the night’s top honor. He won music video of the year for “Humble and Kind,” ending Carrie Underwood’s four-year-winning streak.

But it was Little Big Town’s performance with Pharrell Williams that was the most talked about moment.

The hit-making producer-rapper-singer, who produced Little Big Town’s new album, performed alongside the Grammy-winning country group.

Little Big Town won group/duo video of the year for their Grammy-winning smash, “Girl Crush.” It was their first-ever CMT win.

“This is a real surprise,” Kimberly Schlapman said onstage, standing next to Karen Fairchild, Jimi Westbrook and Phillip Sweet.

The country world has recently been welcoming of pop stars, and not just onstage: On her popular album “Lemonade,” Beyoncé performs a country original called “Daddy Lessons,” which the Dixie Chicks covered in concert and others in the genre praised. And last year, Justin Timberlake was the highlight of the Country Music Association Awards when he performed alongside Chris Stapleton. Timberlake’s song “Drink You Away” hit the country charts after the performance.

Other performers included top country singers such as Carrie Underwood, Luke Bryan, Florida Georgia Line and Jason Aldean.

Erin Andrews and NFL star J.J. Watt hosted the show.

On this Mississippi Summer Morning, just a few miles away from Graceland, the home of Elvis Presley, I sit here reflecting on the influence which actual Country Music had on my young life, growing up with my Mother and Daddy.

Every family, to this day, has rituals that they observe like clockwork.

Our Saturday Night Ritual was to eat homemade hamburgers, spaghetti, or crockpot beans off of TV trays and watch Hee Haw, the syndicated country music variety show, out of Nashville, which starred Buck Owens, Roy Clark, and a “cast of thousands”.

The snotty folks up in the Northeast Corridor never could figure out what made that “hick show”, that lasted 25 years,  so popular.

After all, it was about traditional American Values, love of God and Country, respecting our American Musical Heritage, and featuring talented performers who wrote songs, sang, played their own instruments, loved and appreciated their fans, and actually behaved like average Americans.

Plus, they had the good grace and common sense to keep their private lives, private.

At this time in our country’s history, when morality has become relative and ethics situational, we find our souls crying out to hear something that will soothe our troubled souls. Instead, we find synthesized, mass-produced Pop Music and “so-called” Country Music, actually more Pop Music, manufactured in New York City (pronounced like they do in the Pace Salsa Commercials), advocating meaningless one-night stands and encouraging the debasement of the human soul, instead of its ability to rise above any obstacle in its path that might hinder individual achievement.

With all of today’s over-produced, under-written Pop and Country-Pop Music flooding the airwaves of both broadcast and satellite radio, Americans my age wonder where all the great Country Songwriters and Performers have gone to?

What is happening to country music reflects a lot about the culture we live in.   Artists who actually lived what they sung about like Loretta Lynn, George Jones, Merle Haggard, Tammy Wynette, The Statlers, Jim Ed Brown, Porter Waggoner, Hank Williams, Jr., Randy Travis, Jeannie C. Riley, and Elvis Presley have been replaced by fashion models and wannabe rock stars.

Please don’t get me wrong.

There are still Americans performing country music.  Brad Paisley, Alan Jackson, Toby Keith, Reba, Martina McBride, Clint Black, Montgomery Gentry,  Brooks and Dunn (who are back together and appearing with Reba in Las Vegas), Rascal Flatts, among others, are still attempting to keep the spirit of Country Music alive.

However, in our culture of fast lives, fast food, and instant gratification, superficiality sells.  That’s how we got stuck with Barack Hussein Obama (mm mmm mmmm).

It is easier and more profitable for a record company to sell someone who looks good and can sing a little, or release a country music album made by a fading rock star, than it is for them to market someone who is unbelievably talented and writes their own songs, but who resembles your next door neighbor.

Remember the Bruce Springsteen and Van Morrison Country Music CD fiascos?

No?  I don’t blame you.  I wouldn’t admit it, either.

Can you imagine Hank Williams, Sr., Patsy Cline, or Buck Owens trying to get a record deal today?

I’m sorry Mr. Williams.  Your vocalization is way too twangy and you drink way too much.  “I Saw The Light”?  What kind of song is that?  A song about redemption?  Get real.  “I’m So Lonesome I Could Cry”?  Who Cares?  You’re just not marketable.

Ms. Cline, we can’t use you.  You look like somebody’s next door neighbor.

Mr. Owens, what is the “Bakersfield sound” that you’re talking about?  That won’t get any airtime in New York City.   “Act Naturally”?  That’s a song?  Next thing you know, you’ll tell me that the Beatles will want to record it.

Now you know why Toby Keith formed his own record label.

The big recording companies like RCA Nashville and Arista are run like any other business.  Executives are transferred from other cities and other divisions within the company and are judged to be successful by the amount of revenue they generate.  The decision was made several years ago to turn country music into pop music.  Country Music started the transition from Kitty Wells to Taylor Swift and from George Jones to Kid Rock in an effort to claim a bigger share of the CD-buying public.  The disconnect arises when you take a genre that has traditionally sung  about God, America, family, and heartache and try to make it about fashionistas, MTV, and shallow people with situational morality and ethics.

Just like the Liberal Politics of the outspoken harpies, the Dixie Chicks, it just doesn’t work here in America’s Heartland.

Or, as we say in Dixie,

That dog don’t hunt.

Alan Jackson and George Strait were prophets.

Nobody saw him running from sixteenth avenue
They never found the fingerprint or the weapon that was used
But someone killed country music, cut out its heart and soul
They got away with murder down on music row

The almighty dollar and the lust for worldwide fame
Slowly killed tradition and for that someone should hang
They all say not guilty, but the evidence will show
That murder was committed down on music row

For the steel guitars no longer cry and fiddles barely play
But drums and rock ‘n’ roll guitars are mixed up in your face
Old Hank wouldn’t have a chance on today’s radio
Since they committed murder, down on music row

They thought no one would miss it, once it was dead and gone
They said no one would buy them old drinking and cheating songs
Well I’ll still buy ’em
Well there ain’t no justice in it and the hard facts are cold
Murder’s been committed, down on music row

Oh, the steel guitars no longer cry and you can’t hear fiddles play
With drums and rock ‘n roll guitars mixed right up in your face
Why, the hag, he wouldn’t have a chance on today’s radio
Since they committed murder down on music row
Why, they even tell the posse to pack up and go back home
There’s been an awful murder down on music row

“Murder on Music Row”. George Strait/Alan Jackson, 2000

Last night’s CMT Awards wasn’t just a murder.

It was a MASSACRE.

Until He Comes,

KJ

Today’s Pop Music and American Society: From “All You Need Is Love” to Keying Your Boyfriend’s Car

thBWVX9WHUMusic hath charms to soothe the savage breast,
To soften rocks, or bend a knotted oak. – William Congreve (1670-1729)

Can music also bring out the evil in mankind, as well?

On Thanksgiving Day, as I was watching the Macy’s Parade with my family, I suddenly realized that I did not know any of the performers lip syncing their songs on the floats, except for Pat Benatar (bless her heart).

Additionally, I heard at least one song that was entirely inappropriate for that family-friendly, nationally-televised event.

What is going on with Pop Music?

John Stonestreet, writing for his website, breakpoint.org, posted the following article on November 12, 2015…

Good guys are out of style. If you’ve been to the movies any time in the last decade, you know that Hollywood has replaced the superheroes of yore with antiheroes—depressed, broody, supposedly “relatable” characters with a past. Whether it’s the angst-filled teenage protagonists of “Twilight” or a black-suited Spiderman doing Travolta’s Saturday Night Fever strut, it’s become almost cliché to bring our heroes down to our level rather than aspiring to theirs.

With a handful of exceptions like Marvel’s Captain America, the entertainment industry just doesn’t create uncomplicated, morally straight characters anymore. Even Superman recently got a makeover. Director Zack Snyder’s reboot offered us a troubled Clark Kent in a bleak, visually desaturated film where the Man of Steel doesn’t hesitate to kill. And the same holds true in pop music, where artists who once sang about falling in love now storm on stage and sing about wrecking their ex’s life.

A quick glance over YouTube’s top music videos reveals a wall of singers grimacing, glowering, and growling at us. Heavy eye-shadow, aggressive postures, black clothing, red smoke, sneering expressions make it look like these performers—many of them young women—want to mug us instead of entertain us. Writing at the Daily Mail, Jo Tweedy asks the obvious question: Why do all of these singers look so angry?

Whether it’s Beyonce’s now-infamous Super Bowl halftime performance or Miley Cyrus’ descent into “Wrecking Ball” wrath, these performers “prove that rage is very much all the rage for pop stars.”

But it’s probably Taylor Swift, the 25-year-old country singer who took the pop scene by storm a few years back, who best illustrates how angry modern music has actually become. Swift started out a few years ago writing songs about unrequited love and teardrops on guitars. But in more recent hits like “Blank Space,” “Shake it Off,” and “I Knew You Were Trouble,” the music icon tells haters and potential heartbreakers to back off. “Boys only want love if it’s torture,” she complains, and warns would-be suitors that she’s “got a blank space” on her “long list of ex-lovers,” and would be glad to write in their names.

And then there’s her biggest new hit, “Bad Blood,” a breakup number accompanied by an especially warlike music video that won the VMA’s top honor last year. It features guns, explosions, rocket-launchers, even mixed martial arts. I’m not kidding. Swift herself looks every bit as angry as the Amazon that she plays.

“So why does white hot anger seem to be such a big feature for today’s stars when they’re on stage?” asks Tweedy. One London pop choreographer answered: “…the anger is simply a way of getting noticed,” a way of “trying to stand out,” she said. “[It’s a way of] saying, ‘…you will book me for that next job.’”

So, no surprise, a lot of it comes back to marketing and publicity. We saw this with the release of “Fifty Shades of Grey,” that sexy has taken a sadomasochistic turn in order to sell more books and movies.

But what if there’s more to it than just marketing? In “The Screwtape Letters,” C.S. Lewis’ professorial devil offers advice on how to get humans, especially men, to confuse aggression for beauty.

“…the felt evil is what [the patient] wants,” he explains. “It is the visible animality or sulkiness, or craft, or cruelty which he likes,” and which “play[s] on the raw nerve of his private obsession.”

And I can’t help wondering if on another level all this bad blood is due to the sexual revolution itself. Could it be that some pop stars—especially women—really do resent the way the industry has objectified and turned them into sex symbols? Attempting to tether human dignity to sexual freedom leaves many feeling as if they must be sexually aggressive to be known, and others as if their value is secondary to other’s desires. Either way, it helps explain why pop culture seems to be popping a gasket lately.

I remember the summer after I graduated college in December 1980. I bought a brand new 1981 Mazda GLC, had a Pioneer Tape Deck installed to play in all four hidden door speakers (a big thing back then), bought a cassette tape of “The Beatles Love Songs”, and played it until the tape broke.

Music has always affected my life and played a major part. I sang in church choirs, leading services, singing in quartets, and solo, for over 30 years and have played acoustic rhythm guitar since the age of 19…a long time ago.

Music can indeed soothe us. It can inspire us…in both good ways and in bad.

It has the power to bring us to our knees in worship of the Living God…or make our hands “clinch in fisteous rage” (American Pie, Don Mclean)

It can advise us to “treat her like a lady” or find us hanging out, “down on Main Street”.

At this time in our country’s history, when morality has become relative and ethics situational, we find our souls crying out for soothing, but instead, we find Pop Music and “so-called” Country Music, actually manufactured in New York City (pronounced like they do in the Pace Salsa Commercials), advocating meaningless one-night stands and encouraging the debasement of the human soul, instead of its ability to rise above any obstacle in its path that might hinder individual achievement.

With all of today’s over-produced, under-written Pop and Country-Pop Music flooding the airwaves of both broadcast and satellite radio, Americans my age wonder where all the great songwriters have gone to?

Where are the “Good Vibrations” that the young people of this generation so desperately need?

Evidently, even though “We Didn’t Start The Fire”, we have left them “Sittin’ On The Dock of The Bay”.

Until He Comes,

KJ