New Movie About Abraham and Isaac Hitting Theaters Just In Time For Easter… Why Are Christian Movies So Popular?

“A biblical drama hitting theaters just in time for Easter is breaking records for its successful crowdfunding model.

“His Only Son,” releasing March 31, bills itself as a “Biblically accurate” and “authentic” film based on the story of Abraham and Isaac.

“This is the first time a theatrical release has been crowdfunded in entertainment history,” distributor of the film, Angel Studios, said.

Early viewers of the film described it as “The Passion of the Christ” meets “The Chosen.”

Director David Helling revealed that it took five years to make the film on one of the most “controversial” passages in Scripture, the one in which God asks Abraham to sacrifice his son as a burnt offering.

“His Only Son” tells the story of Abraham and Isaac. (Angel Studios)
Angel Studios, the distributor and platform that is also behind “The Chosen” series, said the newest biblical drama received a positive response from their tens of thousands of investors, who they call “angels.”

“[C]rowdfunding for ‘His Only Son’ reached capacity in 100 hours – we are responding to the demand from the audience by at least tripling the theater count nationwide and throwing our most valuable marketing resources behind the film. The Angel Guild, made up of Angel investors from every show, have rated this film with one of the highest scores we have ever received in our system,” Angel Studios CEO and co-founder Neal Harmon said.

The film comes out on the heels of the successful third season of “The Chosen.” Fans clamored to see the season three finale in theaters in January, crashing a movie theater website in the process.

Another faith-based film, “Jesus Revolution,” also shattered box-office expectations last month and opened to rave reviews.” (Courtesy FoxNews.com)

Here’s a question that the Liberal Brain Trust in Hollywood are probably asking themselves:

Why are Faith-based Films like “The Jesus Revolution” over-exceeding while bigger-budgeted, ballyhooed sequels and remakes of previous blockbusters and other popular culture-driven movies are not living up to expectations?

And, why do well-known stars such Kelsey Grammer, Dennis Quaid, and Trace Atkins want to appear in them?

A while back, MSNBC Anchor Stephanie Ruhle said the following about Former President Donald J. Trump’s Economic Advisor, Larry Kudlow’s, Christian Faith…

“If you noticed when Larry Kudlow spoke on CNBC yesterday, he ended by saying, ‘However things work out, it will be God’s will.’ That’s an interesting way to talk about being the national economic adviser to the president. ‘God’s will?’”

She was later made to apologize by her bosses

So, if the “Smartest People in the Room” on the East and Left Coasts believe that Christianity is something to be mocked, why are these movies doing so well?

We live in a time in our country where Traditional American ethics and values, including our Christian Faith, have been ridiculed and mocked by the Left and their public messengers as being antiquated, restrictive, ignorant, and even, bigoted.

And, the majority of the movies which Hollywood has expectorated out in the last few years have reflected this skewed and intolerant view of Traditional American ethics and values.

If you, like myself , are a Political Junkie, or spend any time at all on Internet Political Website comments sections and political chat boards, you might think that American Christians are an endangered species.

Far from it…as demonstrated by Revivals breaking out among numerous college campuses.

Because we have been given Free Will by our Creator, the choice between right and wrong is up to each and every one of us.

In these turbulent times, when evil is lauded as good and abnormal behavior is glorified as normal, Christian Americans must take time to focus in on what’s really important.

Christian Movies provide that opportunity.

And, it is important that we spend time in contemplative thought about our Faith.

For as the lyrics to the popular Christian Song tell us…

I can only imagine when all I will do
Is forever, forever worship You
I can only imagine…

So, gentle readers, stay strong and keep the faith.

For we wrestle not against flesh and blood, but against principalities, against powers, against the rulers of the darkness of this world, against spiritual wickedness in high places. – Ephesians 6:12

Until He Comes,

KJ

It Was Another Unwatched Academy Awards, As Rich Hollywood Elitists Showed How “Woke” They Were By Attacking The Police

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The Academy Awards were the brainchild of the Academy of Motion Picture Arts and Sciences (AMPAS), formed in 1927. The AMPAS was created through collaborative effort of 36 most prominent individuals, who worked within the motion picture industry.

Film actor Douglas Fairbanks, Sr. was chosen as the first president of the Academy. The awards were established to honor the talented artists of the Motion Picture Industry. The first Academy Awards ceremony was held on May 16, 1929, at the Hollywood Roosevelt Hotel. It was a very private affair, with only two hundred seventy people as guests. The awards were given in the banquet, set up at the hotel’s Blossom Room. The tickets for the guest tickets cost $5.

The first Oscar Ceremony consisted of the handing out of awards in 12 categories and two special honors.

The awards were meant to honor people responsible for cinematic achievements in 1927 and 1928. There was a very little element of surprise at the first Oscar Awards ceremony, as the names of the winners had been declared three months in advance. The entire affair was a lengthy one, filled with speeches. However, Douglas Fairbanks, the Academy President, moved things along as best he could, handing out the golden statues to the winners like a modern-day McDonalds Employee at the Drive-Thru Window.

Yes, boys and girls, once upon a time the Academy Awards celebrated individual achievement in the field of Professional Cinema.

That was then. This is now.

FoxNews.com reports that

Sunday night’s Oscars kicked off with its first presenter of the night, actress Regina King, declaring the film industry’s biggest night is maintaining its producers’ promise: to provide an intimate ceremony with “maskless” guests amid the coronavirus pandemic.

“Oh, live TV here we go, welcome to the 93rd Oscars. Oh, Jesus, I made it,” King said.

Noting that it’s “been quite a year” for presenters, nominees, performers, and the rest of the world as we are “still smack dab in the middle of it,” the 93rd Academy Awards is a night “to celebrate,” she said.

“And yes, we’re doing it maskless,” King declared. “Well, think of this as a movie set, an Oscars movie with a cast of over 200 nominees. People have been vaxxed, tested, retested, social distanced and we are following all of the rigorous protocols that got us back to work safely. So, just like as a movie set masks off and when we’re not rolling, masks on. Ok, that’s how we do it.”

The “One Night in Miami” director added that it would have been quite a different celebratory night for her had Derek Chauvin not been convicted in the May 2020 murder of George Floyd.

“I have to be honest if things had gone differently this week in Minneapolis, I would have traded in my heels for marching boots,” she said.

The first two awards of the night went to Emerald Fennell who won the award for best original screenplay for the film “Promising Young Woman,” starring Carey Mulligan, and the best adapted screenplay then went to Florian Zeller and Christopher Hampton for “The Father.”

In accepting his award for best director, Thomas Vinterberg, paid tribute to his daughter, Ida, who he said died in a car accident days into beginning filming for “Another Round.”

“She loved this. She was supposed to be in this. You’ll be able to see her clapping and cheering with us. We ended up making this movie for her, as her monument. So, Ida, this is a miracle that just happened and you’re a part of this miracle. Maybe you’ve been pulling some strings somewhere, I don’t know. But this one is for you,” Vinterberg said.

Daniel Kaluuya won best supporting actor for “Judas and the Black Messiah.”

“We’re going up tonight. We’re going to celebrate life. We’re breathing, we’re walking, it’s incredible. Life is incredible,” he said.

This year’s Jean Hersholt Humanitarian Award went to the Motion Picture and Television Fund and was accepted on the fund’s behalf by CEO Bob Beitcher. He noted it was the first time the award has gone to an organization, and it was due to the fund’s support of providing to those in need during the pandemic.

Chloé Zhao took home the award for best director for “Nomadland,” a category that had two female filmmakers nominated for the first time. Zhao is now just the second woman to win best director in the Academy’s 93 years (following Kathryn Bigelow for “The Hurt Locker”), and the first woman of color.

Prior to the telecast’s start at 8 p.m., the red carpet made its return — one of the most notable changes from other pandemic-era award shows. In the weeks leading up to Hollywood’s most glamorous night, it was announced that casual wear is a no-no.

The show is being shot in 24 frames-per-second (as opposed to 30), meaning it’ll appear more widescreen. Presenters, including Brad Pitt, Halle Berry, Reese Witherspoon, Harrison Ford, Rita Moreno and Zendaya — are considered “cast members.”

Travon Free, one of the directors of “Two Distant Strangers,” discussed police brutality in his acceptance speech for the film’s win for best live-action short film.

“Today the police will kill three people and tomorrow the police will kill three people, and the day after that the police will kill three people because on average the police in America every day kill three people,” Free said, joined by co-director Desmond Roe.

He continued: “Those people have been disproportionately Black people… I ask that you please not be indifferent. Please don’t be indifferent to our pain.”

Prior to the ceremony, the 36-year-old writer made headlines for his outfit: a Dolce & Gabbana suit lined with the names of those killed by police brutality in the U.S.

…Sunday’s pandemic-delayed Oscars bring to a close the longest awards season ever — one that turned the season’s industrial complex of cocktail parties and screenings virtual. Eligibility was extended into February of this year, and for the first time, a theatrical run wasn’t a requirement of nominees. Some films — like “Sound of Metal” — premiered all the way back in September 2019.

I wonder what the swashbuckling man’s man, Douglas Fairbanks, Sr., would have thought about the no-talent crybabies  who last night took a part in politicizing the award show that he worked so had to get off the ground?

He probably would have punched them right in the mouth.

Once again, the Hollywood “Elite” on the Left of the Political Spectrum continued in public to show their hindquarters.

These self-proclaimed activists are making a lie out of the claim that they have made for years that they are the most tolerant…and “gifted” among us.

The Liberal Elite have always believed that our country revolves around the big metropolitan areas in the Northeast and in California. They have always looked down their noses at what they derisively call “Flyover Country”, the same area that many of us call the Heartland of America or simply “home”.

Over the last few several decades, Hollywood has vied for the title of “Sin City” with “Lost Wages” (Las Vegas) through its glorification of the decadent and demonic. The family-friendly, morally based classic horror films such as “Dracula”, “Frankenstein”, and “The Wolf Man”, have long since been replaced by Jason, Freddy, “Jigsaw”, and Stephen King’s “It”.

Meanwhile, Hollywood produces movies which they would like to see and gives them awards for bombing at the Box Office while being politically correct..

What is interesting to note, though, in the middle of the continuing Liberal Takeover and ongoing Political Meltdown in Hollyweird is the backlash by average Americans to the attempted shaping of our American Culture and Society.

Please note the overwhelming continuing popularity of Super Hero Movies, in which Good triumphs over Evil.

I don’t remember any of us average Americans asking them for their political opinions, do you?

Perhaps, if they got their noses out of the air and actually associated with their families and former friends “back home”, instead of kissing each other’s hindquarters at the latest Premiere or “social event”, perhaps they and reality would not have taken divergent paths, and they would conduct themselves and comport themselves like those Hollywood Legends before them, who served their country during World War II, doing whatever they could to help America defeat fascism…instead of cheering for it.

And, perhaps, they would have had the intestinal fortitude to have shown Harvey Weinstein the door a long time ago.

As it has been, ever since the Entertainment Industry became “woke”, last night was nothing but an exercise in self-adulation by a bunch of self- absorbed, over-medicated, under-talented, bodyguard-using, gated community-living America-hating Liberals who want to tell us “commoners” that we should not listen to that still small voice in each of us and embrace decadence and turn in our Bibles and guns, while at the same time foreswearing any traditional American Ethics and Values which we still hold dear, in order to properly worship them and the Altar of Political Correctness which they have helped to create.

To which I and the overwhelming majority of average Americans living between the coasts reply in unison…

SHUT UP AND ACT!!!

Until He Comes,

KJ

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Trump Tweaks Pitt and the Oscars at Colorado KAG Rally…Why They Had it Coming

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Last night, the Hollywood Elite found out what their fellow Far Left Democrats in Congress already know: TRUMP FIGHTS BACK.

FoxNews.com reports that

President Trump continued his four-state trip out west Thursday evening with a wild rally in Colorado Springs, Colo., as he openly celebrated Democrats’ intra-party squabbling at the Las Vegas presidential primary debate — and took an unexpected shot at the movie “Parasite,” prompting a scathing response from its U.S.-based distributor.

In the wide-ranging event that resembled a casual conversation at points, Trump also assessed that “Mini Mike” Bloomberg “didn’t do well last night” and declared Amy Klobuchar’s presidential campaign dead because she dejectedly asked Pete Buttigieg at the debate if he was calling her “dumb.”

Trump again called Buttigieg “Alfred E. Neuman,” after the scrawny fictional character, and advised Klobuchar, “You don’t say that even if it’s true!”

Ultimate Fighting Championship (UFC) president Dana White took the stage briefly at the outset of the rally, saying he wasn’t a “very political person” before adding that he’s known Trump for more than 20 years — and that Trump has remained a “loyal” and “good friend” even after becoming president.

Trump then went on to tout his surging poll numbers and mocked the Oscars at length, saying he couldn’t believe a foreign film like “Parasite” won Best Picture.

“By the way, how bad were the Academy Awards this year? ‘And the winner is a movie from South Korea,'” Trump said. “What the hell was that all about? We’ve got enough problems with South Korea with trade. On top of that, they give them the best movie of the year? Was it good? I don’t know. I’m looking for like, let’s get ‘Gone with the Wind.’ Can we get ‘Gone with the Wind’ back, please? ‘Sunset Boulevard’? So many good movies.” (Trump has reportedly previously expressed affinity for Jean-Claude Van Damme action films.)

He continued: “‘The winner is from South Korea.’ I thought it was best foreign film. Best foreign movie. No — did this ever happen before? And then you have Brad Pitt. I was never a big fan of his. He got up and gave a little wise guy statement.”

The Democratic National Commitee quickly tweeted as Trump spoke: “Parasite is a foreign movie about how oblivious the ultra-rich are about the struggles of the working class, and it requires two hours of reading subtitles. Of course Trump hates it.”

The U.S. distribution company for “Parasite,” NEON, retorted with its own nod to the film’s subtitles: “Understandable, he can’t read.”

Yeah, right.

That’s how he became a billionaire and the first non-politician to become President of the United States of America since Eisenhower.

I am glad that he took a shot at Brad Pitt and his fellow Hollyweird Liberals.

Just like the Far Left Democrats in the Beltway, Hollywood has become so far detached from average Americans living here in Realityville between the coasts, that except when they accidently got it right and started producing the Marvel Superhero Movies, they have basically been producing movies which they would like to see.

I agree with the President.

Why in the world was a movie from South Korea given the Best Picture of the Year when there are still good movies being made in America?

And, while I am at it, is it just me, of have you noticed that the Hollywood Elite are completely ignoring the movies with Christian Themes, several of which are thought-provoking, compelling, and entertaining.

Of course, I know why.

Hollywood Liberals are “much too smart” to honor the Faith of the overwhelming majority of average Americans.

I am quite positive that they, like their hero Karl Marx, believe that it is “the opiate of the masses”.

Which is why those actors and actresses who do not embrace the status quo in Hollywood find it more difficult to find work.

The exception right now is Dennis Quaid, who did an excellent job playing the father in the movie about the story behind the Contemporary Christian hit which crossed over into the Top 40 Pop Chart, “I Can Only Imagine”.

The Hollywood Liberals love us “hayseeds” here in Realityville when we actually go to movies that they produce that WE like because it makes them a ton of money.

Perhaps the “dancing monkeys” in Tinseltown should wise up and produce movies for the American Public instead of for themselves…

and “SHUT UP AND DANCE”.

Until He Comes,

KJ

Holier-Than-Thou-Wood: As Expected, the Oscars Turns into a “Lecturing the Deplorables While Bashing Trump” – Fest

bob-hope-john-wayne-ronald-reagan-dean-martin-and-frank-sinatra

…I always thought I was a liberal but I came up terribly surprised when I found I was a right wing conservative extremist…I have always listened to every human being I’ve ever met about how I should feel.  But this so-called new liberal group… they never listen to your point of view and they make a decision as to what you think and they’re articulate enough and in control of enough of the press to force that image out for the average person.  For some reason, maybe it’s these pictures, they have not been able to do that with me…it hasn’t affected my career in popularity in spite of the fact that they’ve tried to make them do it.  There isn’t a hell of a lot we can do to change human behavior.  We keep making laws to try to change human behavior but we can’t do it…You’re being conned into Keynesianism and socialism now but it isn’t going to stop the selfishness of human behavior.  It isn’t going to stop the greed.  If you take $20 and give a dollar to every son of a b!tch in the room, you come back a year later one of the b@st@rds will have most of the money.  It’s just human nature.  We’re never gonna whip it with a lot of laws. 

As communication gets better and you make people conscious of somebody in trouble, starving or something like that, the average person will help…I think there are people who try to affect a thinking where they know more than some other son of a b!tch and try to pull a false impression on what human nature is.  We’ve proven we go back to hope at the first opportunity…and bam they’re out there ready to grab it.  So we are optimistic; we have to be optimistic.  What else would we be if you lose optimism?” –  John Wayne

Well, Duke…I guess when you lose optimism, you sound like a bunch of spoiled brats.

Entertainment Weekly reported last night that

The first salvo against Donald Trump was fired only a few minutes into the Oscars — and then they just kept on coming.

After a joyous opening musical number by Justin Timberlake performing best original song nominee “Can’t Stop the Feeling” that brought the crowd to its feet, host Jimmy Kimmel took the stage at the 89th annual Academy Awards and threw out one POTUS joke after another:

“This is being watched live by millions of people in 225 countries that now hate us,” Kimmel said (full monologue video below).

Kimmel also had this to say: “I want to say thank you to President Trump. Remember last year when it seemed like the Oscars were racist? … It’s gone thanks to him.”

And this: “In Hollywood, we don’t discriminate against people based on what countries they come from. We discriminate on them based on their age and weight.”

Kimmel also made jokes about “mediocre” and “overrated” Meryl Streep — a reference to Trump’s criticism of the actress, who slammed him during the Golden Globes last month.

And the ABC late-night host noted that actors will give speeches that “the president will tweet about in all caps during his 5 a.m. bowel movement tomorrow.”

But Kimmel also surprised by throwing out this plea for unity: “If every person watching this show … if every one of you took a minute to reach out to someone you disagree with, someone you like and have a positive, considerate conversation — not as liberals and conservatives, but as Americans —  we could make America great again.”

The host also joked that he’s the wrong person to unite the country. “I can’t do that,” Kimmel said as the camera shifted to showing Hacksaw Ridge director Mel Gibson, a best director nominee, seated in the audience. “There’s only one Braveheart in this room and he’s not going to unite us either.”

After the monologue, Kimmel wasn’t done: “Doctor Strange was nominated for special effects — and also Secretary of Housing and Urban Development.”

Later, when Iranian director Asghar Farhadi won for The Salesman, the award was accepted on his behalf by Anousheh Ansari, famed for being the first female space tourist. Ansari read a blistering letter from Farhadi, who declared last month he would not attend the Oscars in the wake of Trump’s executive order blocking citizens from Iran and six other predominantly Muslim countries from entering the U.S. (The ban has since been halted by judicial decisions.)

“I’m sorry I’m not with you tonight,” Farhadi said via the letter. “My absence is out of respect for the people of my country and from the other six nations whom have been disrespected by the inhumane law which bans immigrants entry into the U.S.” Ansari was interrupted by cheers here, then continued: “Dividing the world into the ‘us and our enemies’ categories creates fear — a deceitful justification for aggression and war. These wars prevent democracy and human rights in countries which themselves have been victims of aggression. Filmmakers can turn their cameras to capture shared human qualities and break stereotypes of various nationalities and religions. They create empathy between us and others — an empathy we need today more than ever.”

Trump’s immigration policy was also in the spotlight when The White Helmets — about the Syrian civil war — won best documentary short. U.S. immigration authorities reportedly barred its 21-year-old cinematographer Khaled Khateeb from traveling to Los Angeles for the Oscars. Director Orlando von Einsiedel noted, “It’s very easy to feel these guys have been forgotten, the war has been going on for six years, if everyone here could just stand up and remind them that we all care that this war ends as quickly as possible.”

In another instance, actor Gael Garcia Bernal took a shot at Trump’s border wall plan while introducing best animated film: “Flesh and blood actors are migrant workers. We travel all over the world. We construct families, we build life, but we cannot be divided. As a Mexican, as a Latin American, as a migrant worker, as a human being, I’m against any form of wall that wants to separate us.”

And when Zootopia won that category, director Rich Moore pointedly noted, “We are so grateful to audiences to audiences all over the world who embraced this film with this story of tolerance being more powerful than fear of the Other.”

After all these references to Trump policies, Kimmel tweeted to the president while on stage: “Hey @realDonaldTrump u up?”

Once again, the Hollywood “Elite” on the Left of the Political Spectrum who voted for Hillary Clinton to be our next President of the United States of America, continue in public to show their hindquarters, while throwing the longest temper tantrum that the world has ever seen over the results of an American Presidential Election, that happened almost five months ago.

These self-proclaimed activists, are making a lie out of the claim that they have made for years that they are the most tolerant…and “gifted” among us.

In fact, these sore losers remind me of the hysterically sobbing children that you hear in every Walmart across the country.

It’s not that those children are crying because they are physically hurt. Just like these Hollywood Liberals, they’re crying because they did not get their way.

This epic meltdown by those who are paid handsomely to entertain us is a direct result of an isolated ignorance of average Americans’ desire to rid ourselves of those in the Halls of Power who told us repeatedly that they knew what was best for us and “who we were”, while their actual mission was to turn America into a Third-World Barrio in their quest to make us a Socialist Paradise.

All during the Presidential Campaign, the Democratic Party, along with those in “Showbiz”, through their minions in the Main Stream Media, assured us that it was a foregone conclusion that Hillary Clinton would be our 45th president.

There is a reason for that.

The Liberal Elite have always believed that our country revolves around the big metropolitan areas in the Northeast and in California. They have always looked down their noses at what they derisively call “Flyover Country”, the same area that many of us call the Heartland of America or simply “home”.

This meltdown which promises to last way past Inauguration Day, is a reaction caused by their own unbridled and unsupported arrogance.

Just like their fellow Modern American Liberals who run Democratic Party, the disconnected “dancing monkeys” in Tinsel Town and the Big Apple never saw Trump’s victory coming.

At this point, all their incessant national temper tantrum is doing, is making them look like fools.

I don’t remember any of us average Americans asking them for their opinion as to how we should vote, do you?

Perhaps, if they got their noses out of the air and actually associated with their families and former friends “back home”, instead of kissing each other’s hindquarters at the latest Premiere or “social event”, perhaps they and reality would not have taken divergent paths, and they would conduct themselves and  comport themselves like those Hollywood Legends before them, who served their country during World War II, doing whatever they could to help America defeat fascism.

Now, these pampered ,self-righteous, oblivious Lightweights wish to restore to power the fascists that Americans defeated at the Ballot Box on November 8th, 2016.

As we say down here in the part of America’s Heartland, known as Dixie…

It just don’t make no sense.

Until He Comes,

KJ

Diversity Above Achievement: Affirmative Action Comes to the Academy Awards

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I can do more than anyone suspects. I pride myself on my versatility. It took 32 years of difficult parts, second leads, villains and juveniles. The Oscar changed the quality of the roles I was being offered. – Louis Gossett, Jr.

Affirmative action  sprang out of the 1960’s Civil Rights Movement. It was intended to provide equal opportunities for members of minority groups and women in education and employment.

In 1961, President John Fitzgerald Kennedy was the first to use the term “affirmative action” in an Executive Order which forced government contractors to take “affirmative action to ensure that applicants are employed, and that employees are treated during employment, without regard to their race, creed, color, or national origin.” That Executive Order also established the President’s Committee on Equal Employment Opportunity, now known as the Equal Employment Opportunity Commission (EEOC).

An institution or organization engages in Affirmative Action when it attempts to improve opportunities for historically excluded groups in American society by establishing a “quota system” to make up for perceived “past transgressions”.

These policies usually involve employment and education. In institutions of higher education, affirmative action involves admission policies that seek to provide equal access to education for those groups that have been historically excluded or underrepresented, such as women and minorities, at times, skipping over a more qualified candidate, in order to promote “Diversity”.

Needless to say, questions concerning the constitutionality of Affirmative Action has made the topic one of heated debate.

Affirmative action policies initially focused on improving opportunities for African Americans in employment and education.

In the past several years, several states have discontinued their Affirmative Action Policies because Affirmative Action has become outdated, and causes a form of reverse discrimination by favoring one group over another, based on racial preference rather than academic or business achievement. Additionally, there is a concern that minority groups may be stigmatized and treated differently by peers and professors who may believe that the success of minority groups in higher education institutions is unearned.

Now, just as “Mr. Smith Came to Washington”, Affirmative Action is coming to Hollywood.

The Academy Awards or “Oscar” Awards is the paramount awards ceremony originating out of Hollywood, which is held on an annual basis. Over the years, it has become a mega-event, with everyone associated, directly or indirectly, with Hollywood eagerly awaiting for the handing out of the golden statues.

The popularity of the Academy Awards has increased as the years have passed.

The awards were the brainchild of the Academy of Motion Picture Arts and Sciences (AMPAS), formed in 1927. The AMPAS was created through collaborative effort of 36 most prominent individuals, who worked within the motion picture industry.

Film actor Douglas Fairbanks, Sr. was chosen as the first president of the Academy. The awards were established to honor the talented artists of the Motion Picture Industry. The first Academy Awards ceremony was held on May 16, 1929, at the Hollywood Roosevelt Hotel. It was a very private affair, with only two hundred seventy people as guests. The awards were given in the banquet, set up at the hotel’s Blossom Room. The tickets for the guest tickets cost $5.

The first Oscar Ceremony consisted of the handing out of awards in 12 categories and two special honors.

The awards were meant to honor people responsible for cinematic achievements in 1927 and 1928. There was a very little element of surprise at the first Oscar Awards ceremony, as the names of the winners had been declared three months in advance. The entire affair was a lengthy one, filled with speeches. However, Douglas Fairbanks, the Academy President, moved things along as best he could, handing out the golden statues to the winners like a modern-day McDonalds Employee at the Drive-Thru Window.

Yes, boys and girls, once upon a time the Academy Awards celebrated individual achievement in the field of Professional Cinema.

That was then. This is now.

The New York Times reports that

LOS ANGELES — Confronting a fierce protest over a second straight year of all-white Oscar acting nominations, theAcademy of Motion Picture Arts and Sciences said on Friday that it would makeradical changes to its voting requirements, recruiting process and governing structure, with an aim toward increasing the diversity of its membership.

The changes were approved at an unusual special meeting of the group’s 51-member governing board Thursday night. The session ended with a unanimous vote to endorse the new processes, but action on possible changes to Oscar balloting was deferred for later consideration. The board said its goal was to double the number of female and minority members by 2020.

“The academy is going to lead and not wait for the industry to catch up,” the academy’s president, Cheryl Boone Isaacs, said in a statement. Ms. Isaacs referred to an often-repeated complaint that the academy, in its lack of diversity, reflects the demographics of a film industry that for years has been primarily white and male.

The most striking of the changes is a requirement that the voting status of both new and current members be reviewed every 10 years.

I wonder what the swashbuckling man’s man, Douglas Fairbanks, Sr., would have thought about The bunch of no-talent crybabies who have politicized the award show that he worked so had to get off the ground?

He would probably echo the sentiments expressed by Veteran Actor and True Professional, Michael Caine.

Breitbart.com reports that

Two-time Oscar-winning actor Michael Caine has weighed in on the Oscars diversity controversy, saying in a recent interview that while he personally believes that one black actor in particular should have been nominated at this year’s ceremony, “you can’t vote for an actor because he’s black.”

The Academy of Motion Picture Arts and Sciences has come under fire for nominating exclusively white actors in top acting categories at this year’s Oscars, marking a repeat of last year’s #OscarsSoWhite controversy. Filmmakers Spike Lee and Michael Moore and actors Will and Jada Pinkett Smith have vowed not to attend the February 28 ceremony in protest, while others have simply spoken out to denounce the Academy for the lack of diversity in its nominating process.

But in an interview with BBC Radio 4’s Nick Robinson, Caine said that the quality of a performance, rather than the color of an actors’ skin, is paramount when considering Oscar nominations.

“There’s loads of black actors,” the 82-year-old Youth star said. “You can’t vote for an actor because he’s black. You can’t just say, ‘I’m going to vote for him. He’s not very good, but he’s black. I’ll vote for him.’ You have to give a good performance.”

Caine, who has been nominated six times for Oscars and won twice, said that he thought Idris Elba would be nominated for his role as the sadistic Commandant in the Netflix war drama Beasts of No Nation. When Robinson pointed out that Elba wasn’t nominated this year, Caine demurred.

“Well, look at me,” Caine said. “I won the [European Film Award] for best actor, and I got nominated for nothing else.” Caine’s film Youth was nominated for just one Oscar, for Best Original Song.

Caine said the best advice he could give to minority actors is to “be patient.”

“Of course it will come,” he said. “It took me years to get an Oscar.”

Since the Academy announced its nominations last week, a slew of actors, actresses and producers have spoken out to blast the awards show for its lack of diversity, including David Oyelowo, George Clooney, Lupita Nyong’o, Dustin Hoffman and Mark Ruffalo. Straight Outta Compton executive producer Will Packer has called the lack of nominations for people of color a “complete embarrassment,” while the Rev. Al Sharpton has called for Americans nationwide to “tune out” of the broadcast in protest.

However, some have defended the Academy in the wake of the media firestorm.

In an interview with Variety, Boyz ‘N The Hood director John Singleton said that “there are only so many slots” for nominations, and those nominations will go to those films and performances that the Academy feels should be recognized. Singleton, who became the first African-American to earn a Best Director nomination for the 1991 film, said that the Academy’s nominating process is “almost like the lottery.”

“It’s like every year people complain,” the director said. “People even complain even when we have a lot of nominations. It is what is is. I’ve been in the game for 25 years. You never know – it’s the luck of the draw for you. To me, I’m not surprised. I’m not disappointed either, as much as other people are disappointed. There’s a whole elevation of work that happens.”

Speaking to the Hollywood Reporter on Friday, Oscar-winning Schindler’s List producer Gerald Molen also defended the Academy and called the growing boycott movement against the Oscars “ridiculous.” Molen said it would be tough to believe that Academy members are not voting for minority actors because of their skin color.

“In a liberal town like Hollywood, that makes about as much sense as saying all members of the Academy vote Republican,” he joked.

Back in 2010, Dan Gainor, in an op ed for foxnews.com, observed that

Hollywood can’t have a big night any more without pushing the Left Coast agenda. It isn’t always big name awardees that reflect a political view. The anti-God, anti-Christian “Golden Compass” took home a Visual Effects Oscar in 2008. The Tommy Lee Jones anti-Iraq War movie “In the Valley of Elah” didn’t even win, but it was honored just by being there. In 2003, many in the audience even gave a standing ovation when child rapist Roman Polanski won Best Director for “The Pianist.”

Sometimes, good movies win. The pro-life “Juno” won and even one of the pro-Christian Narnia movies got an Oscar for make-up. But those are the exceptions that prove the rule. And on Oscar night, the Hollywood left most certainly rules.

As always, the Academy will claim it’s giving us a feast of film, only it isn’t. It’s not even baloney. It’s just the rest of the bull.

So is Modern American Liberals’ battle cry of “Diversity!”

If they are truly “Champions of Diversity”, why are the Liberal Democrat Party’s leading Potential Presidential Candidates both old white folks from the Northeast?

Liberals have been acting for years as if they cherish Diversity for Diversity ‘ s sake.

Perhaps they all deserve an Oscar Statue, too.

Until He Comes,

KJ